Archive for the ‘SINOYQX’ category

Using Melamine Foam to Stop Fire Tragedy like Brazil Night Club fire

April 23rd, 2013

It was so regretful to hear Brazil Night Club fire tragedy. According to economist that the death toll from a fire that broke out in the early hours of January 27th in a Brazilian nightclub has already reached 232, with more than 100 injured, many severely. Almost all the victims were young; the nightclub, Kiss, in the university town of Santa Maria in the far southern Brazilian state of Rio Grande do Sul, was popular with students. Most of the deaths were from smoke inhalation and asphyxiation.

 Brazil fire tragedy 2013brazil fire tragedy 2013-2

brazil fire tragedy 2013-4brazil fire tragedy 2013-1

Questions are being asked about the quality of the nightclub building and whether emergency procedures were followed. The blaze appears to have been started by a pyrotechnic flare lit on stage by a member of the band; sound-proofing material caught fire, producing toxic gases which quickly overpowered many in the crowd. Police said that at least one exit was blocked. Television stations broadcast images of firefighters, helped by bystanders, breaking through a wall to get in. Some of the victims were found in the bathrooms, possibly because they mistook them for emergency exits, and were then unable to come back out through the panicked crowds.

 

The real murderer, however, I think it was the sound-proofing material, PU FOAM, (polyurethane foam). Even some PU foam, which adds fire-proofing agent when producing, they were easily lit and then released toxic gases when they exposed to any outside flame.

 

It is the real murderer of this tragedy, if we want to stop such fire tragedy, we should stop using fire-spreading materials PU-FOAM as construction materials.

 

Why not try melamine foam, now, through it will cost higher, comparing with PU foam, but which is more important for you, living or money?

 

But why does melamine foam win other sound-proofing and fire-retardancy materials?

 

The reason is simple, for melamine foam is able to provide lightweight, sound-proofing and fire-retardancy properties, especially the flame-retardancy performance.

 

Melamine foam is a kind of soft, thermosetting and environmental protection material made from melamine resin by foaming. It has three-dimensional grid structure and 99% opening rate.

 

Melamine foam fire-retardancy demonstration, from SINOYQX YarQuenXer acoustical melamine foam.

 Melamine foam fire retardancy-6Melamine foam fire retardancy-5Melamine foam fire retardancy-4

It is time to purchase YarQuenXer melamine foam to stop fire tragedy via sales@sinoyqx.com.

SINOYQX Melamine Foam Sound Containment System for Anechoic Chambers Application

March 23rd, 2013

Featured properties

 Class A Fire Retardant
 High Performance Absorption
 Fiber Free
 Anechoic Wedge Design
 Low-density, 4-12KG/M3

   Melamine foam Anechoic Chamber-1 Melamine foam Anechoic Chamber-2 Melamine foam Anechoic Chamber Sound Containment System
Material:
SINOYQX 99% Open cell MELAMINE FOAM
Pattern:
The linear wedge pattern offers excellent absorption and allows you to create many different designs. Install vertically, horizontally, diagonally, checkerboard as well as create your own design.
Application:
For use in all industrial, commercial, audio, OEM and residential markets; Ceilings, wall partitions, sound studios, radio stations, band rooms, gymnasiums, swimming pools, gun ranges, mechanical rooms and enclosures. Thicker wedges are designed for use in anechoic chambers and test cells.
Thickness:
5”, 10”, 15”, 20” and custom (Standard Panel)
Sizes:
197″ x 79″ (diagrams) and custom sizes
Colors:
 Natural White or Light Grey
 Custom colors available upon request

 

If you are interested in SINOYQX melamine foam for anechoic chambers, please feel free to contact us via sales@sinoyqx.com or phone 0086-28-6792-0663.

Melamine Foam Lotus Drawing

January 21st, 2013

Thanks to melamine foam plastic exceptional sound proofing performance and easily-processed property, melamine foam plastic, manufactured and provided by SINOYQX, is processed to a lotus drawing for a perfect decoration.

 Melamine foam drawing

For more information about melamine foam and its sound proofing performance, please visit www.sinoyqx.com or email SINOYQX via, info@sinoyqx.com or voice at 0086-28-6792-0663.

SINOYQX Colorful Melamine Foams for diversified Client Needs

December 11th, 2012

SINOYQX( SCC Group), one of the world largest melamine foam plastic manufacturers and providers, provides worldwide clients exceptional acoustic and fire retardancy melamine foams plastic with common white, gray and black color, but also foams with different colors solutions, such as blue melamine foams, orange melamine foams, and red foams, etc, to meet clients’ special requirements.

 

 

 

 If you need SINOYQX melamine foams for you acoustic, fire insulation, and clearing solutions, please contact us via sales@sinoyqx.com.

SINOYQX Melamine Foam Fire Retardancy/Insulation Demonstration

November 7th, 2012

   

SINOYQX melamine foam water resistance demonstration

October 10th, 2012

       

ACOUSTICAL WALL PANELS

September 25th, 2012

When fiberglass acoustical panels were first introduced into the market several years ago, the fiberglass acoustical core was produced principally by Fiberglass of Canada who had an in-line sanding capability to produce a smooth face surface to which decorative fabrics could easily be bonded to. Unfortunately the fiberglass board produced in Canada was a very short fibered board, which was subject to edge damage during the fabrication process. To solve this problem, the edges were impregnated with a polyester resin which when cured produced a hardened edge to prevent crushing of the edge. New technology used by fiberglass manufacturers in the US is now able to provide a flat smooth face surface suitable for lamination of fabric finishes to the panel surface. When fabric lamination is not desirable and when more custom sizes or longer lengths are required, a track system can be used which allows any size or length of fabric to be stretched over a framework. This also allows for the use of more desirable and environmentally friendly sound absorption material made from recycled, “Green” or “LEED” credit contributing products such as Echo Eliminator™ recycled cotton or Sound Silencer™ PEPP rather than fiberglass. Echo Eliminator, Sound Silencer and the track system are available from Acoustical Surfaces Inc.

The fiberglass cores used in the US today are long fibered resilient fiberglass mats that are sufficiently resilient to withstand abuse and crushing while still being able to be machined to produce a variety of edge profiles.

The soft panel edges also have the ability to improve the acoustical performance due to what is termed the “edge effect”; that is to say the soft edges will also allow acoustical absorption where the panels are separated with a space between the panels. A 1″×24″×48″ panel in effect measures 26″×50″ of absorptive surface but the cost is still only for a 24″×48″ panel, thus for the same amount of cost the client is getting 11% more absorption.

Architectural specifications frequently specify that the panels need to be mounted with male/female zee clips so that the panels can be relocated. Except in very rare cases, if ever, the fact of the matter is, acoustical wall panels are not generally relocated. The primary-reason for acoustical panel use is to reduce the reverberation time and noise build up in a room. Thus acoustical wall panels are a part of the room’s architectural environment.

The most cost effective way of mounting acoustical wall panels is through the use of impaling clips that are permanently mounted to the wall and then impales into the back of the panel where they are locked into place with adhesive that wicks into and binds the glass fibers together. If by chance the panels for any reason do have to be removed, careful removal will pull some of the fiberglass from the panel back. When relocating the panel, simply locate the impaling clips in a different location. Impaling clips provide a more cost-effective approach in both materials and labor to install the panels.

If acoustical panels are being used to reduce reverberation and noise buildup that can interfere with speech intelligibility, the most cost-effective thickness is one inch. At 500 Hertz the absorption value of a 1″ thick panel is in the order of 90 to 95%, which is right in the voice frequency range. Since the absorption values are primarily based on thickness a 2″ thick panel should not necessarily be viewed as a better panel since the additional thickness only provides an additional 5-10% absorption in the voice frequency range. At an additional cost of 30-40% a 10% increase in performance does not make economic sense. On the other hand if the noise problem lies in the low frequency range, then a 2″ thick panel makes more sense since the thicker panels do provide better absorption at the low frequencies. Band rooms are a good example of the need to use thicker panels.

Acoustical Panel performance is based on it’s average absorptive values in the 4 center frequencies to the nearest 0.5 number. This is called the NRC (Noise Reduction Coefficient) The absorptive values indicate the percentage of sound that will be absorbed at the various frequencies. An acoustical panel with a 84.5 NRC will be classified as having an NRC of 85 and a panel with an NRC of 82.4 will be classified as having an NRC of 80. The 5 point difference in published NRC is meaningless since in reality the point spread could be no more than 2.1 actual, which is too close to detect.

Source from www.acousticalsurfaces.com

Or for sound and heat insulation materials, melamine foam solution, please visit www.sinoyqx.com.

Sound Pressure Level & Perceived Volume Reduction

August 17th, 2012

The following table shows various dB levels and the corresponding reduction in actual sound pressure level (SPL) as well as the human perceived volume reduction for reducing noise levels.

dB

Actual SPL Reduction

Perceived Volume Reduction

3 dB

50.00%

18.77%

6 dB

75.00%

34.02%

9 dB

87.50%

46.41%

12 dB

93.75%

56.47%

15 dB

96.88%

64.64%

18 dB

98.44%

71.28%

21 dB

99.22%

76.67%

24 dB

99.61%

81.05%

27 dB

99.80%

84.61%

30 dB

99.90%

87.50%

33 dB

99.95%

89.85%

36 dB

99.98%

91.75%

39 dB

99.99%

93.30%

42 dB

99.99%

94.56%

45 dB

100.00%

95.58%

48 dB

100.00%

96.41%

51 dB

100.00%

97.08%

54 dB

100.00%

97.63%

57 dB

100.00%

98.08%

60 dB

100.00%

98.44%

63 dB

100.00%

98.73%

66 dB

100.00%

98.97%

69 dB

100.00%

99.16%

72 dB

100.00%

99.32%

75 dB

100.00%

99.45%

78 dB

100.00%

99.55%

81 dB

100.00%

99.64%

Signal to Noise ratio (S/N) is expressed as the dB difference between the sound source (such as someone speaking) and the sound at the listeners ear. So if a person were speaking at 65dB, and a car noise was 60dB, the Signal to Noise ratio would be 5dB. In a classroom the recommended background noise level is 35dBA to result in S/N ratio of 20-25 dBA and +15 dBA at the back of the room, with a .6 second reverb time.

A few other important points to note:

  1. A change of 1 dB is generally not perceptible.
  2. A change of 3dB is just perceptible by most humans.
  3. Speech is somewhat understandable at S/N ratios of 0dB (mostly by adults).
  4. Speech is highly understandable at S/N ratios of >15dB by most children.

Source from www.acousticalsurfaces.com, for noise reduction materials, such as, melamine foam, please visit www.sinoyqx.com.

Sound Pressure Level Data (SPL)

July 16th, 2012

Sound pressure level (SPL) or sound level is a logarithmic measure of the effective sound pressure of a sound relative to a reference value. It is measured in decibels (dB) above a standard reference level. The commonly used “zero” reference sound pressure in air is 20 µPa RMS, which is usually considered the threshold of human hearing (at 1 kHz).

 

The following table presents noise data at octave-band center frequencied for familiar residential, outdoor transportation and building activity noise sources.

Sound Pressure Level

Example Source

 

Home

63 Hz

125 Hz

250 Hz

500 Hz

1000 Hz

2000 Hz

4000 Hz

8000 Hz

dBA

Alarm Clock at 4-9 ft – Ringing

46

48

55

62

62

70

80

80

Electric Shaver at 1.5 ft

59

58

49

62

60

64

60

59

68

Vacuum Cleaner at 3 ft

48

66

69

73

79

73

73

72

81

Garbage Disposal at 2 ft

64

83

69

56

55

50

50

49

69

Clothes Washer at 2-3 ft – Wash Cycle

59

65

59

59

58

54

50

46

62

Toilet – Refilling Tank

50

55

53

54

57

56

57

52

63

Whirlpool, Six Nozzles – Filling Tub

68

65

68

69

71

71

68

65

74

Window Air-Conditioning Unit

64

64

65

56

53

48

44

37

59

Telephone at 4-13 ft – Ringing

41

44

56

68

73

69

83

83

TV at 10 ft

49

62

64

67

70

68

63

39

74

Stereo – Teenager Listening Level

60

72

83

82

82

80

75

60

86

Stereo – Adult Listening Level

56

66

75

72

70

66

64

48

75

Violin at 55 ft – Fortissimo

91

91

87

83

79

66

92

Normal Conversational Speech at 3 ft

57

62

63

57

48

40

63

Outdoors

63 Hz

125 Hz

250 Hz

500 Hz

1000 Hz

2000 Hz

4000 Hz

8000 Hz

dBA

Birds at 10 ft

50

52

54

57

Cicadas

35

51

54

48

57

Large Dog at 50 ft – Barking

50

58

68

70

64

52

48

72

Lawn Mower at 5 ft

85

87

86

84

81

74

70

72

86

Pistol Shot at 250 ft – Peak Impulse Levels

83

91

99

102

106

106

Surf at 10-15 ft – Moderate Seas

71

72

70

71

67

64

58

54

78

Wind in Trees – 10 mph

33

35

37

37

35

43

Transportation

63 Hz

125 Hz

250 Hz

500 Hz

1000 Hz

2000 Hz

4000 Hz

8000 Hz

dBA

Large Trucks at 50 ft – 55 mph

83

85

83

85

81

76

72

65

86

Passenger Cars at 50 ft – 55 mph

72

70

67

66

67

66

59

54

71

Motorcycle at 50 ft – Full Throttle, Without Baffle

95

95

91

91

91

87

87

85

95

Snowmobile at 50 ft

65

82

84

75

78

77

79

69

85

Train at 100 ft – Pulling Hard

95

102

94

90

86

87

83

79

94

Train Siren at 50 ft

88

90

110

110

107

100

91

78

109

Car Horn at 15 ft

92

95

90

80

60

97

Commercial Turbofan Airplane at 1 mile – From Takeoff Flight Path

77

82

82

78

70

56

79

Military Helicopter at 500 ft – Single Engine, Medium Size

92

89

83

81

76

72

62

51

80

Interiors

63 Hz

125 Hz

250 Hz

500 Hz

1000 Hz

2000 Hz

4000 Hz

8000 Hz

dBA

Amplified Rock Music Performance – Large Arena

116

117

119

116

118

115

109

102

121

Audiovisual Room

85

89

92

90

89

87

85

80

94

Auditorium – Applause

60

68

75

79

85

84

75

65

88

Classroom

60

66

72

77

74

68

60

50

78

Computer Equipment Room

78

75

73

78

80

78

74

70

84

Dog Kennel

90

104

106

101

89

79

108

Gymnasium

72

78

84

89

86

80

72

64

90

Kitchen

86

85

79

78

77

72

65

57

81

Laboratory

65

70

73

75

72

69

65

61

77

Library

60

63

66

67

64

58

50

40

68

Mechanical Equipment Room

87

86

85

84

83

82

80

78

88

Music Practice Room

90

94

96

96

96

91

91

90

100

Racquetball Court

82

85

80

85

83

75

68

62

86

Reception and Lobby Area

60

66

72

77

74

68

60

50

78

Teleconference

65

74

78

80

79

75

68

60

83

Intermittent or peak noises may exceed the data given in the table by 5 decibels or more, depending on the source or environment. For many practical problems, however, the data can be considered to be typical source levels at the given distance and condition, or average general activity levels for interiors. The data can be used for design purposes if proper consideration is given to especially loud equipment or sources, which may exceed it, unusual site conditions, and any other conditions that deviate from normal. For example, it is prudent to measure transportation noise at proposed building sites near highways, airports, etc., so design data will represent existing noise sources and reflect specific site features. Note also that modern aircraft, trucks and office equipment may not be as loud as the examples in the table.

Note: Sources for noise level data include Journal of the Acoustical Society of America, Sound and Vibration, Noise Control Engineering Journal and technical publications of the U.S. Environmental Protection Agency and the U.S. National Bureau of Standards.

Reprinted from the 1988 edition of Architectural Acoustics with the kind permission of Author, David Egan.

 

Sourced from acousticalsurfaces, from noise reduction material, melamine foam, please visit SINOYQX official size www.sinoyqx.com.

Sound Absorbing Materials to be affected by Sound Absorption Materials Distribution

July 2nd, 2012

The efficiency of a sound-absorbing material can be affected by its distribution and location in a room. 25 panels of sound-absorbing material, for example, each 2′×2′, will absorb more sound energy per panel when spaced in a “checkerboard” pattern on a 200 sq ft plaster ceiling than a uniform coverage of the same material.

This increase in efficiency (called the area effect) is due to the diffraction of sound energy around the perimeters of the spaced sound-absorbing panels and to the additional sound absorption provided by the exposed panels’ edges. The efficiency of sound-absorbing panels increases as the ratio of the perimeter to surface area increases.

The 25 spaced absorbers have a ratio of perimeter to surface area 5 times the ratio for the 25 uniform-coverage absorbers. Sound energy reflected from the hard-surfaced plaster adjacent to the absorbent edges in the checkerboard configuration tends to spill over onto the sound-absorbent panels.

Therefore, the spaced absorbing material absorbs more sound energy than would be accounted for by its area. This kind of surface treatment also can be used to achieve a diffuse sound field, which is desired in music practice rooms. Note that the total absorption contributed by spaced absorbers in this example will be only slightly less than the absorption provided by coverage of the entire 200 sq ft ceiling.

References

T.W. Bartel. “Effect of Absorber Geometry on Apparent Absorption Coefficients as Measured in a Reverberation Chamber”, Journal of the Acoustical Society of America, April 1981.

Reprinted from the 1988 edition of Architectural Acoustics with the kind permission of Author, David Egan.

Note: Assuming a 1″ thickness of the sound-absorbing panels in the foregoing example, the sound absorbing area of the panel edges contribute an additional 23% to the 100 sq ft surface area shown.

Source from www.acousticalsurfaces.com , for more about sound absorber, such as melamine foam, please log into www.sinoyqx.com .